Who is this course for?
This course is for all abilities.
You will be introduced to the basics of drawing (line, tone, space, perspective + proportion) This course includes a visit RAMM (Exeter Museum) where we will be producing large close-ups of natural forms . You will go onto develop your own ideas + project from this. Materials include pencil, charcoal and inks.
Support and feedback
Learners will get individual feedback and the course will end with a group review of work.
Additional costs and requirements
For the first class please bring an A3 drawing pad (cartridge paper), range of drawing pencils (2B and HB required) and some charcoal sticks. Your tutor will advise you on materials that you will need later in the course These will include inks.
Will I have to do anything outside of the session?
Some drawing and painting exercises and research studies related to the course theme will be set .
About the tutor
Along with working as a fine art tutor for Learn Devon Louise Banks also runs her own drawing courses and workshops in local community centres and galleries. She runs a regular Life Drawing class at Thelma Hulbert Gallery. Having trained at Goldsmiths’ College London she has over thirty years’ experience of teaching art to children and adults.
As a practising artist she has exhibited work in London, Hampshire and Bristol galleries and art fairs. This includes venues such as the Air Gallery in Dover Street and The Affordable Art Fair, London. She mainly works in oil paint and inks. Media work includes an interview and demonstration on Channel four’s The Afternoon Show and a feature in Country Living Magazine.
While a personal art website is in progress, examples of work can be seen on the Devon Artists Network website http://www.devonartistnetwork.co.uk/
Examples of both Devon adult learners’ class work and her own work can be found on https://www.facebook.com/LouiseBanksArt
Having been taught by a pupil of Cecil Collins she has been very influenced by his particular ideas and methods and incorporates these into her own drawing courses. The aim is to provide a calm space where risk taking and exploration of techniques and materials are encouraged. It is a process-led approach.
“Paintings are but research and experiment. I never do a painting as a work of art, all of them are researches. I search constantly.” Picasso
The spontaneous and academic are not seen as mutually exclusive, however, and traditional skills are covered. Learning to ‘see’ rather than just ‘look’ is at the core of every course.